MLCOLM is a self-taught, multi-disciplinary creator building EDM bangers engineered for the dayclub, the algorithm, and the future Vegas residency.
Operating under AKA HOUSE Recordings, the catalog runs on slang-driven hooks, club-tested drops, and a refusal to ask permission. The blueprint is simple: weaponize Gen Z slang as house anthems. The execution is everything.
This isn't a bedroom-producer story. MLCOLM came up inside Vegas nightlife — VIP host at TAO Group's Marquee at the Cosmopolitan, hosting tables, walking celebs, deep inside the dayclub machine. Self-demoted to promoter to escape the corporate ceiling. Bounced to Panama. COVID dragged him back. Met his wife. Returned to Vegas. The doors didn't open as easy the second time, so he took the long way back in: security at the Fontainebleau LIV grand opening, watching Oliver Tree perform from the floor. That's when he made the call: if he can do this, I can fucking crush it.
Six months ago: downtown Salt Lake City, 2 AM, custom-built portable deep-fryer parked outside the clubs — MLCOLM out there selling corndogs to drunk ravers to make diaper money. Today those same ravers stream his tracks on every major DSP. AKA HOUSE Recordings is being built from a basement studio, family of five sharing one room, food stamps on the counter, cyberpunk cover art rendering on the laptop between feedings. The hustle isn't a chapter. It's the whole book.
Multi-domain by design — music, fashion, food, content. No gatekeepers. No labels in the traditional sense. Just self-determination at scale.
Vegas dayclubs, festival bookings, sync placements, label demos, press requests. Direct line to AKA HOUSE management. Bring real budgets and real briefs.